The “names” on the ancient Greek vases are there for everyone to see, but only the Scythic speaking people can read the hidden message of these scytales! What a revealing name! that goes unnoticed by scientists for two and a half thousand years.The small cup from Corinth (1883 or earlier), now in Paris, Louvre MNC 332, has these “names” added to the boxing scene:
ϜΙΟΚΕ ΠΥΚΤΑ ΦΕΥΓΕ, which reads: VÍ'Ó Ki E'-BUKTA FÉ' VéGE
> Víjó (vívó) ki elbukta fél vége. (The fighter, who lost it, fears his end.)



CONTENTS Amazons & Scythians 'Nonsense Inscriptions'?! Making Sense Etruscan=Hungarian Cretan Hieroglyphs Linear A Sundry MY HUNGARIAN PAGES
   
 

Making Sense

This work is based on Rudolf Wächter's book, entitled Non-Attic Greek Vase Inscriptions. He sets out the goal to identify “the linguistic and epigraphical features” of the inscriptions, but makes himself lame at the outset for the linguistic aim by declaring that al the inscriptions are only names (labels): heroic, non-heroic, or even good for nothing “throwaway” names.

On the contrary, we read these “names” and conceive them as explanatory and complementary words to the drawn scene. What the ancient painters could not express with their pictorial means, they have added in words without any prudery. As a matter of facts, without reading and understanding these inscriptions one cannot really comprehend what the drawing is all about.

The vases in Wachter's book are categorised epigraphically, by the locally used variant of the alphabet, into 22 groups named after these localities. We will follow this line, only breaking the text up into more easily manageable pieces. Due to the limitations of our browsers, we use only the transliterations of vase inscriptions to modern Greek alphabet, which in turn we transliterate, using the table in the Alphabets blog, into Magyar ABC and read the inscriptions by backfilling the left out vowels.




Alphabets

The inscriptions on ancient Greek vases are written by individual handwriting in local variants (Ionian, Corinthian, Lakonian, Etrurian,…) of the alphabet which are transliterated into the standard form to make it easier to follow, which in turn are transcribed into the Magyar ABC for reading of these texts in the form they would be spelled today. The readings are attained with a simple and consistent transliteration of the inscriptions. The applied method of writing is the defective notation of vowels used by all the scripts of the area and era of these writings, such as Carian, Lydian, Lycian, etc. The left out vowels (in small letters) does not make the inscriptions neither illegible nor nonsensical, on the contrary, the presented transliterations with the back-filled left out vowels expressly and eloquently explain and/or complement the depicted scene on the vases.

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Keywords :


Date: 27.06.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter XII (Etruria, Achaian and Doric Colonies, Ionic and Doric Islands, Ionic Dodecapolis and Doric Hexapolis)

Even though this is a miscellaneous collection of vases, some inscriptions are quite interesting, such as ETR 1, ACC 3, the wordplay DOC 7, IOI 2, DOI 1 and DOH 3 which describes the shape of the jar it is written on.

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Keywords : Etrurian, Achaian, Ionic, Doric Vases


Date: 02.03.16. Author: Mellár Mihály  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter XI (‘Chalcidian’ and Pseudo-Chalcidian).

Chalcidian’ is only a ‘school’ of archaic Greek vase-painting with quite a few exiting inscriptions. CHA 11 is especially illuminating, as it makes clear that the basis for the whole Minotaur myth is the headdress with bullhorn and the belonging title of the queen's (ex-)husband. In the Minoan matriarch society, according to Robert Graves, Minos is the queen's husband, serving (mainly) the reproduction of the dynasty for a year, (13 Moon-months) or a long year (100 Moon-months). He functions as MINOS < MŰ-NŐS 'artificially married' and he wears a headdress with bullhorns and (after his disposal) an official title TAUROS < TA-ÚR-ŐS 'last master-father'.

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Keywords : ‘Chalcidian’, Satyrs, Maenads, Atalante, Peleus, Minos, Tauros


Date: 02.03.16. Author: Mellár Mihály  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter X (Lakonia – Ithaka – Euboian Colonies).

Only a few vases with inscriptions, still some quite interesting readings, such as LAK 3, LAK 4 and ITH 2.

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Keywords : Lakonia, Ithaka, Euboian Colonies, metrical inscription, Sparta


Date: 02.03.16. Author: Mellár Mihály  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter IX (Pinakes2)

The inscriptions on tablets are dedications as the researchers, including Wachter, have rightly supposed. Most of the tablets have holes through which they were attached, as it turns out by the reading of the dedications, to the offered food-samples such as dishes of quail, duck, heifer, boar, fried meat, rice, millet, or often just named commonly as drink, sweet or fasting food. But the identity of the dedicated, the person(s) or god(s) is very questionable as Poseidon (on the tablets Potida, Poteda, Potda, Poteidan) and Amphitrite (Anphitrita, Afirita, Afitretan) turns out to be fasting food, feast of food-abundance, quail-dish, etc. when read in Scythic-Hun-Hungarian.

In this part only a few tablets are concerned with feasting, the rest are short sayings, signboards and mnemonic tool for the ABC.

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Keywords : Penteskouphia, pinakes, nonsense inscription, Pitsa


Date: 25.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter VIII (Pinakes1)

“Introduction: In 1879 in a clandestine excavation by farmers near Penteskouphia on the slope of Acrocorinth, several hundred fragments of painted clay tablets were found in what seems to have been a waste deposit. They were illegally sold in Athens and the vast majority went to Berlin where they still are (the rest, viz. sixteen, are in Paris). Wachter

The inscriptions on tablets are dedications as the researchers, including Wachter, have rightly supposed. Most of the tablets have holes through which they were attached, as it turns out by the reading of the dedications, to the offered food-samples such as dishes of quail, duck, heifer, boar, fried meat, rice, millet, or often just named commonly as drink, sweet or fasting food. But the identity of the dedicated, the person(s) or god(s) is very questionable as Poseidon (on the tablets Potida, Poteda, Potda, Poteidan) and Amphitrite (Anphitrita, Afirita, Afitretan) turns out to be fasting food, feast of food-abundance, quail-dish, etc. when read in Scythic-Hun-Hungarian.

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Keywords : metrical dedication, Poseidon, Amphitrite, pinax


Date: 25.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter VII. (Corinth 5.)

As the Corinthian vase-inscriptions make up quite a large part of Wachter's book, I did break this part up into five subheadings, plus a separate blog for the Kypselos chest, which actually COR 66 in Wächter's book.

In this part COR 107 is interesting for its anti-war sentiment. COR 113 questions the love of the slipping out, “faithful” lover. COR 128 is a clever saying, while COR 131 is a very picturesque prove for the readings I propose here.

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Keywords : Tydeus, Ismene, Achilleus, Memnon, Antilochos


Date: 21.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter VI. (Corinth 4.)

As the Corinthian vase-inscriptions make up quite a large part of Wachter's book, I did break this part up into five subheadings, plus a separate blog for the Kypselos chest, which actually COR 66 in Wächter's book.

COR 88 has two ligatures (missed by the epigrapher!) in “misspelled labels”, which make perfect sense in the context when read as bubble-words complementing the depicted scene. The reading of COR 92 is perfectly complementing the banquet scene, while COR 104 the boar-hunting scene.

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Keywords : olpe, quadriga, Thetis, Sphortos, Nereids, Gorgon


Date: 21.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter V. (Corinth 3.)

As the Corinthian vase-inscriptions make up quite a large part of Wachter's book, I did break this part up into five subheadings, plus a separate blog for the Kypselos chest, which actually COR 66 in Wächter's book.

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Keywords : Trojan war, departure of Paris, mourning of Achilleus


Date: 18.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter IV. (Corinth 2.)

As the Corinthian vase-inscriptions make up quite a large part of Wachter's book, I did break this part up into five subheadings, plus a separate blog for the Kypselos chest, which actually COR 66 in Wächter's book.

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Keywords : Achilleus, boar-hunt, Agamemnon, Trojan Cycle


Date: 18.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Kypselos chest in Olympia and the Amphiaraos krater

The Amphiaraos Krater depicts on the front a frieze of horsemen and above it the departure of Amphiaraos. The back was decorated with a battle frieze, above it again Amphiaraos, this time as a participant in the funeral games of Pelias. Below one of the handles, a wrestling match is depicted. The paintings on the vessel are considered especially colourful and detailed. Thus, the anger in Amphiaraos eye, looking at Eriphyle, his only family member not to wish for his safe return, is visible. A sorrowful seer indicates the imminent death of the hero. The same scene was depicted on the Kypselos chest in Olympia, as described by Pausanias.

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Keywords : column krater, Amphiaraos, Pelias, Kypselos chest, Pausanias, Description of Greece


Date: 27.06.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter III. (Corinth 1.)

The main period of Corinthian vase-painting is relatively short, and the inscribed pieces span just over a century, most of them no more than about 30 years (approximately 580–550). Towards the end of the period, Corinthian workshops started imitating Attic fashion.

For the Corinthian alphabet, which is of a common type (similar to East Ionic) but contains a distinctive series of less common letter-forms (mainly beta, iota, san, and the special, though frequent, epsilon).

As the Corinthian vase-inscriptions make up quite a large part of Wachter's book, I did break this part up into five subheadings, plus a separate blog for the Kypselos chest, which actually COR 66 in Wächter's book.  

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Keywords : Corinthian vases, Hercules' labours, Paris & Helene, wedding


Date: 15.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wachter II. (Aigina and uncertain)

There are few painted and inscribed vases for which we can claim an Aiginetan origin. Their Aiginetan provenance is the primary condition. Only one of these can be deciphered with any certainty. Some other vases are unique in style and cannot be attributed with certainty to any precise place of production, so they are branded as of uncertain origin and added to this heading.

Note INC 1 which is an allegoric message about the danger Egypt creates with her rich rye production.

 

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Date: 04.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


Making Sense after Rudolf Wächter I. (Boiotia)

Rudolf Wächter's book starts out with Euboian painted pottery, but the scanty material available doesn't allow for any reliable readings, so we jump to the Boiotian vases, which offer quite a few significant inscriptions, especially BOI 1A-B and a related graffito makes an interesting reading. Actually, all the inscriptions in this part are very cleverly construed with everlasting moral to draw from their stories.

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Keywords : Non-Attic, Greek, Vase, Inscriptions, Wächter


Date: 03.07.15. Author: Mihaly Mellar  Printable version     Send it to your friend!     Comment the article!  


 
    


The Scythian language resurrects as Scythic-Hun-Magyar.

(Mellar)



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